Author Archives: SETV

Alita: Battle Angel  

Hollywood has a bad track record of adapting Japanese anime and manga into live action films, usually whitewashing the cast or changing from the source material for the sake of making the plot easier to understand often at the expense of the characterisation and larger themes. But veteran director James Cameron and visual effects guru Robert Rodriguez, with their powers combined were able to crank out a blockbuster that sets new ground for Hollywood anime, with the adaption of Yukito Kishiro’s manga series Battle Angel Alita.

 Set in the distant future after a war between Earth and Mars, most of humanity now resides in either the slums of Iron City, or the floating city of Zalem, where the rich and powerful live. Doctor Dyson Ido (Christoph Waltz) a cyber surgeon of Iron Cities cyborg population searches through the scrap yard looking for salvage when he comes across the remains of a cyborg girl.

Taking her back to his clinic, Ido rebuilds the girl, whom he names Alita. Alita (Rosa Salazar) has no memory of her life before Ido found her and accompanies him through Iron City where she meets and befriends Hugo (Keenan Johnson) who introduces her to the sport of Motor Ball.

Hugo helps Alita piece her old identity together while Alita discovers that Dr. Ido is also a Hunter Warrior, collecting bounties on criminals. Alita saves Ido from an ambush of cyborg criminals and fights them off, showing off her instinctive combat skills and has a flashback to the war between Earth and Mars. Alita’s victory over the cyborgs draws the attention of Chiren (Jennifer Connolly), Ido’s ex-wife, and her employer Vector (Mahershala Ali). Zalem’s leader Nova commands them to destroy Alita.

Alita: Battle Angel is a visual spectacle, Iron City feels real with its cluttered streets, and all the cyborgs have unique and memorable designs and Alita herself looks very real despite her large eyes and the facial animation is perfect for capturing emotive expressions. The fight scenes are fast paced with fluid choreography. The story is sweet ands simple with an endearing protagonist that you’d certainly want to see more of .

By Daniel Murphy





Talk to Tom QPR Training

I attended the (QPR) Suicide Prevention course, in Gorey recently and enlightened was an ed shearunderstatement.  I expected more of a conference room, with seated rows and a projector. These were all in place with a more relaxed and welcoming environment with CEO Ray Cullen at the door to meet you. Ray and his volunteers are behind the organisation ‘Talk to Tom’ based in Gorey.  I had heard him speak before of his personal experience with suicide and was inspired.

We were a small group of ten and Ray said we could finish early. I thought to myself, ‘we’ll be taught the basic signs to watch for and sure it’s good to take part’.  Ray began with his personal journey, from being an engineer in the early 90’s, to breaking his back because this is where Ray sees the beginning of how he became teaching QPR, meaning Question, Persuade and Refer.  When Ray got to the point of feeling that something had to be done after the loss of his nephew by suicide along with the discovering there was a huge gap in mental health services in North Wexford.

He got together with his family and within four months they had set up Talk to Tom in July 2012.  Ray travelled to Colorado in the US, to train and qualify in the course QPR, which was created by Paul Quinten.  QPR training was introduced in June 2013 and soon ran programmes for Wexford Marine Watch volunteers, RNLI, Garda Siochána, Coastguard members and various17475173_10154395588985222_1399789633_o sports clubs.  When you attend Ray’s training day, you will witness how his expert advice is sought after by any organisastion; in 2015, Ray was invited to Brussels to present the Talk to Tom model.

He explains in-depth of how your surrounding environment and your everyday belief system effects how you see that the world, based on learned behaviour and associations.  He reveals some shocking statistics of how 2016 was at its highest in completed suicides.  Also that over 500 people die by suicide a year, with 80% being male and 20% are female.

Ray asked us ‘how many we thought attempted suicide a year that end up in hospital’ and our highest guess was 5,000 people.  The truth was frightening, to learn that 12,500 people a year with the majority being 80% female and 20% male.  He further explains that suicide is the most preventative death and with the use of the right language, approach and learning the signs of someone who is in pain and suffering.  We participated in role play with each other and I found it very intense and emotional but extremely beneficiary and illuminating.

You do not just receive a Certificate in QPR, you receive a day of impact talk along with exercises17455212_10154395588980222_1378681251_o and interaction.  I did not expect to learn as much as we did in that one day. Every month they hold QPR classes along with parenting and more programmes to help people in crisis.  They are a community based funded orgainisation, you can find them on Facebook and they have a voluntary shop in Gorey, where you can visit any time Monday to Friday or become a QPR Gatekeeper.

By Róisín Williams


The Predator  

The hunt for a new installment of the classic Predator franchise is over, and how appropriate that Shane Black, the Predator’s first victim in the 1987 original, be the one to capture the exploits of the Galaxies Deadliest Game.

One-upping the opening of the first Predator, this time a space dogfight between two Predator spaceships introduces us to the conflict. The smaller ship escapes to Earth and jettisons its cargo before its occupant ejects himself. Cut over to Mexico, sniper Quinn McKenna (Boyd Halbrook) is on a mission when he sees the Predator ship crash land. Investigating the site he finds a bracer and mask as is unit is attacked by the Predator. McKenna survives the encounter, and sends the technology in a package to his wife and son.

Biologist Casey Bracket (Olivia Munn) is recruited by Project: Stargazer and agent Will Traeger (Sterling K Brown) to study the body of the captured Predator, discovering it is a hybrid with a human genome. Meanwhile McKenna is detained and transported onboard a prison bus along with other veterans in ‘’group therapy’’, Nebraska (Trevante Rhoder), Coyle (Keaghan Michael Key), Baxley (Thomas Jane), Lynch (Alfie Allen) and Nettles (Augusto Aguilera).

The Hybrid Predator awakens and escapes, killing all Stargazer staff, but sparing Casey because she was unarmed.  McKenna and the vets take control of the bus and they meet up with Casey as they escape Stargazer in pursuit of the Predator. Meanwhile McKenna’s son Rory, a savant, decodes the Predators technology as the second Predator ship emerges in pursuit of the Hybrid. As Traeger hunts for the Predator technology, McKenna find Rory before the Predator can, all the while caught in a life or death struggle between the Hybrid and the physically and technologically superior Super Predator.

The Predator certainly tries to live up to the original, and while it may not succeed in that regard it is a very ambitious, adding new layers to the mythology and giving us a deeper insight to the Predator’s and their culture. As expected, the Predators execute some creative kills chalked full of gore and blood, and you’ll be rooting for the underdog humanity all the way through.

(I’ve always wondered, what do female Predators look like, and are they bigger or smaller ,and do they participate in hunting?)

By Daniel Murphy


Black ‘47

Set during the backdrop of the Great Famine, Black ’47 is not so much a spaghetti western as it is a ‘’potato’’ western. The story chronicles one man’s quest for revenge amidst the darkest hour of Ireland’s history.

With the blight ravaging the crop, many Irish men are forced to swallow their pride and enlist in the British army and fight in their wars overseas to support themselves and their hungry families. Feenay (James Frecheville) an Irish ranger returning from Afghanistan to his sister Ellie (Sarah Greene) and her children, with a plan to immigrate to America. Feenay goes to pay his respects to his mother’s grave, but when he returns the constables and landlord evict Ellie and arrest Feenay when he intervenes, only to watch his nephew gunned down. Escaping his imprisonment, Feenay returns to find Ellie and her children dead of cold and hunger.

With his particular set of skills, Feenay sets off to hunt down all those he holds responsible for his sister’s death, his nephew’s murder, for the famine itself, killing apathetic landlords, heartless judge and ministers who will only feed the starving if they convert.

To curb Feenay’s killing spree, the British army recruits the ‘’Hunter’’ Hannah (Hugo Weaving), a disgraced veteran who served with Feenay, and is sent to find him as a stay of execution. Hannah is accompanied by British officer Pope (Freddie Fox) and private Hobbs (Barry Keoghan). The three track Feenay across the rural bog lands and steep roads, as Feenay closes in on his final target, Lord Kilmichael (Jim Broadbent).

As they close in on Feenay, Hannah must choose between his loyalty to the Crown or his respect of Feenay. The historical setting further empathizes the bleakness of the future and a purveying sense of hopelessness. The final scene is open ended to between the choice of carrying on the fight to the bitter end or the possibility of starting over.

Black ’47 is an important addition in Irish cinema, one that is ripe with the cultural, political ,religious and personal history of the land, and it’s made in honour of all those who died, left or never came back.

By Daniel Murphy




Ant-Man and the Wasp

If you’re still recovering from the events of Infinity War but can’t get enough of you’re yearly allotted Marvel fix, then a small adventure should keep you going until the next big event. Following up from 2015’s surprise hit superhero-family drama- heist movie, now Marvel’s first (and original) power couple makes an impact on the big screen.


After Civil War, Scott Lang (Paul Rudd) is living under house arrest and the watchful eye of FBI agent Jimmy Woo (Randall Park). For aiding and abetting Scott, Hank Pym (Michael Douglas) and Hope (Evangeline Lily) are on the run and in hiding. While Scott attempts to lead a normal life, Hank and Hope recalling Scott’s escape from the subatomic Quantum Realm, theorise that Hope’s mother and Hank’s wife Janet (Michelle Pfeiffer) could still be alive. Scott receives a vision Janet left him while he was in the Quantum Realm, Hank and Hope build a device to travel into the Realm and rescue her.

Unfortunately Pym’s shrunken lab is stolen by the Ghost (Hannah John-Kamen), a high tech thief who can disappear and walk through solid objects. Needing a way to track the lab, the trio go to Hank’s old colleague Bill Foster (Laurence Fishburne). Per Foster’s advice, they locate the lab but are blindsided by the Ghost. Wakening to find themselves held hostage, Foster reveals himself allied with the Ghost, who is in reality a woman named Eva. Foster wants Pym’s lab in the hope that he can use it to cure Eva and prevent her atoms from permanently losing cohesion- but the cost is that Janet would have to be sacrificed.

Escaping capture, Scott, Hope and Hank race against the clock to pull Janet from the Quantum Realm while contending with Ghost and Foster, and evading the Feds as well as a persistent crime lord. Hope comes into her own as the new Wasp and the movie makes it clear that Scott and Hope are partners on equal footing. Unique among superhero films, Ant-man and the Wasp doesn’t really have any villains; Bill Foster and Eva are wholly sympathetic and serve as foils to Hank and Hope with their own father-daughter relationship. And of course Louis (Michael Pena) is the master storyteller. A bit sized adventure with a big heart.

(Next time, Ant-Man and the Wasp foil the Mafia’s annual pick nick)

(DC can’t help but shoehorn Batman into everything, but Marvel made successful movies with Ant-man, Guardians of the Galaxy and Big Hero fr****** Six. This is indeed a strange reality.)

By Daniel Murphy


Mission: Impossible- Fallout

“Your mission Vault Dweller, should you choose to accept it, is to pick put a Pip-Boy and… its not *that* ‘’fallout’’, is it?” Now I really want the next Fallout to be a post-apocalyptic spy thriller, and given what happens this time around, it could very well be. The sixth installment of this long running franchise begins with and possibly ends with a bang.


 The mission begins with Ethan Hunt (Tom Cruise) and his team Benji (Simon Pegg) and Luther (Ving Rhames) intercept a deal for plutonian cores, but the exchange goes sideways and they loose the package. However, the trail is still hot so IMF Secretary Hunley (Alec Baldwin) sends Ethan but he has be accompanied by CIA agent Walker (Henry Cavil) to catch the suspected mastermind, code named ‘’John Lark’’.

Parachuting over Paris, the two locate the contact and an intense bathroom brawl ensues, but he proves too much and is killed by Isla Faust (Rebecca Ferguson). Ethan opts to go in the contacts place for the meeting with arms dealer ‘’White Widow’’. Assuming John Lark’s identity Ethan makes contact and a deal is arranged- the Widow will give Ethan the stolen plutonian cores if he springs Solomon Lane (Sean Harris) – the former leader of the Syndicate- from government custody.

Ethan and his team proceed to spring Lane while losing the Widow’s men in the process but complicating matters further, Isla re-enters the picture intend to kill Lane on behalf on MI6 in exchange for asylum. Things don’t become any simpler with the sheer scope of schemes, deceptions and double identities and loyalties, but the short version is preventing Lane’s former charges from detonating two nuclear bombs, no pressure.

Mission: Impossible has become perhaps a most reliable summer blockbuster franchise, thanks in no small part for its high concept espionage thriller and death defying stunts, and constant use of Scooby Doo masks. Its balls-to-the-walls absurd and we love it.

“do you have suitcase to swap?”

By Daniel Murphy


The Incredibles 2

So the Incredibiles finally gets a sequel? 15 years too late. (Yes, I know its 14 years since the first movies, but you have to say 15 yeas for the joke to work.) Appropriately, we the audience had to wait for a decade and a half, the same length of time in story that superheroes have been outlawed. And once again Brad Bird steps up to the plate as both writer and director to take us in the next chapter of the Parr family.

The story picks up immediately where it left off, with the Underminer attacking the city, robbing the bank and fleeing, while the Incredibiles and Frozone stem the damage caused by the rampage. The Incredibiles are arrested and blamed for the destruction, and afterward are returned into their life in hiding. Bob and Helen meet with Lucius, who brings them to meet Winston Dever and his sister Evelyn, sibling duo CEO’s of Devtech, a telecommunications giant.

Winston and Evelyn want to bring supers back into the limelight, sponsoring Helen as Elastigirl to live stream her crime fighting heroics to change public perception of superheroes, while Bob and the kids, Dash, Violet and baby Jack-Jack, and move into a new home provided for by Winston. While Bob makes the transition to stay at home dad, having to contend with Jack-Jack’s myriad of superpowers, Helen saves a runaway hover train and learns of a new super villain who has her in their crosshairs- the Screenslaver.

The Screenslaver is an interesting villain, while no Syndrome, still has a philosophical monologue which lends itself to some very Meta moments.

In fact The Incredibiles 2 might just be the most subversive superhero movie in recent memory. Another example is how Evelyn and Helen pass the Bechdel test- a rarity in a movie rated PG and marketed towards children. Speaking of which, as Bob shows, and Edna reminds him, being a good parent is just as important as saving the day, just as heroic as anything. There great character drama and beautifully animated action sequences, it makes the wait worth it, just hope that Brad Bird doesn’t wait another ten years to show us what happens next to the Parrs.

(You just know that racoon that Jack-Jack was fighting will turn out to be Rocket.)

By Daniel Murphy



Sometimes the simplest premise works the best, take a little it of Die Hard, add a dash of Towering Inferno and put the Rock between a hard place and you have yourself a summer popcorn flick. You smelling that? The Rock is cooking up a storm.

FBI agent Will Sawyer (Dwayne Johnson) is injured in the line of duty and losses his leg. Ten years later he’s married to surgeon Sarah (Neve Campbell) and they have two children and Will has set up a private security firm, his newest client is billionaire Zhao Lung Li (Chin Han) and Will has been hired to assess the security of Zhao’s super tall tower, the Pearl. At 220 floors high, the Pearl is the tallest structure in the world with the upper levels not yet available to the public until Will evaluates exactly how safe the tower is.

While Will reunites with old friends, Sarah and the kids are living in the upper levels, unbeknownst that a group of terrorists led by top syndicate enforcer Kores Botha (Roland Moller) infiltrate the lower levels and begin their plan to set fire to the Pearl. After a second team gain control of the Pearl’s offline cyber security facility, they deactivate the safety systems and within minutes a fire spreads all across the middle levels, directed upwards through the ventilation shafts, turning the world’s tallest building into a chimney.

Will-learning of his old friend’s role in this plan- heads towards the Pearl to rescue his family who are trapped on the upper levels. Defying the Hong Kong Police, he climbs a construction crane and leaps into the fray, fighting fire and the terrorists to rescue his family and save Zhao from Botha, who wants a mystery McGuffin that Zhao has.

Skyscraper is the height of absurd fun, and it helps that Dwayne Johnson can make just about anything work, and he’s committed to it, he even walks and runs as if he where if an actual prosthetic leg. The run time is comfortable and the pacing takes you through it steadily without forgetting that it’s a race against time, and the death defying stunts are not for the faint hearted. Just good clean fun from beginning to end.

Remember- if you can’t solve a problem with duct tape, you’re not using enough duct tape.

(Foolish Fools! Don’t they know that fire is ineffective against Rock types?)

By Daniel Murphy

Solo: A Star Wars Story

When sney bought Lucas film, they annexed the deep Star Wars expanded universe in favour of making their own canon. A lot of fans were peeved by that decision and so, to their credit, the executives seem to realise the mistake and now, in addition to new episodes in the on-going saga, their giving us stories that fill in important gaps in Star Wars lore. Rogue One detailed how the rebellion got the Death Star plans and now we learn the origins of everybody’s favourite 

nerf herder.

On the planet Corellia, a young Han (Alden Ehrenreich) plans to escape his debt to local crime syndicates along with his sweetheart Qi’ra (Emilia Clarke). The lovers depart in a boosted speeder, but they are separated at an Imperial checkpoint, Qi’ra is captured and she urges Han to go on without her.  To avoid being captured himself, Han enlists at an Imperial recruitment centre, vowing to one day return and save Qi’ra.

Three years later and Han meets up with a crew of smugglers, he pleads for them to take him with them, along with freed Wookie prisoner Chewbacca. The leader of the smugglers, Tobias Beckett (Woody Harrison), decides to bring Han and Chewie along with them to pull off a heist. They hit an Imperial transport delivering Coaxium, the fuel for hyper-drive engines. Unfortunately a rival band of marauders arrives to seize the cargo; only Han, Chewie and Tobias survive but fail to acquire the Coaxium.

With nothing to lose but their lives, the trio go to crime syndicate boss Dryden Vos (Paul Bettany) to try clear their debts to him by compensating the lost Coaxium. Qi’ra, who works with Dryden, is re-united with Han and is sent with the trio to assure the complete the job. The only planet to find Coaxium is Kessell, mined in its natural form where it quickly degrades and explodes, so a fast ship is required. Qi’ra brings them to the man with the fastest ship in the galaxy, Lando Calrissan (Donald Glover).

Solo is certainly a worthy origin of the galaxy’s greatest smuggler. It’s a heist film set against the galactic space opera that invokes Wild West vibes. Plenty of talented casting, Glover in particular channels the spirit of Billy Dee Williams. The crème-de-la-crème is the famed Kessell run that we’ve heard so much about and now we’re finally see, and it’s more epic than a simple getaway. And a surprise cameo we certainly didn’t see coming. I’ve got a really good feeling about this one.

Turns out that parsecs are a legit unit of measurement, 1 parsec= 3.26 light years. Suddenly it makes sense.

Tobias Beckett has the honorable distinction for having the most pedestrian name in the Star Wars galaxy.

Deadpool 2

You thought you were safe once the credits started to roll? Fool! The fourth wall cannot protect you from the Merc with a Mouth. And now sequelitis strikes again as Ryan Reynolds (aka ‘’God’s favourite idiot’’) reprises the role of the Internets favourite superhero.

After the end of his first movie Wade has taken his mercenary gig overseas taking on the worst of the worst, but still manages to return home to his girlfriend Vanessa (Morena Baccarin) in time for their anniversary. But that’s when the fickle hand of the writer decides to just s*it all over Wade’s happiness as hired goons break into his apartment and kill Vanessa in the crossfire. (Did George .R.R. Martin write this?)

So now Wade in his depressed state tries to kill himself by blowing up his apartment, but his healing factor makes it impossible. Colossus (Stefan Kapicic) collects Wade’s remains and brings him to the Xavier mansion in the hopes of recruiting him to the X-men and wade accepts, believing it is what Vanessa would want for him. On his first mission with Colossus and Negasonic Teenage Warhead ( Brianna Hildebrand) a mutant boy Russell ( Julian Dennison) is rampaging as he’s been abused at a mutant ‘’rehabilitation ’’  centre . Deadpool subdues Russell but kills one of the orderlies who abused Russell, Colossus takes Wade down and both are imprisoned at the ‘’Icebox’’.

Their time at the Icebox is short as soon the complex come under attack by Cable (Josh Brolin). Wade and Russell make a break for it, but Cable is hell-bent to kill Russell, Wade fights Cable but both are blown out of the prison while Russell is re-captured. Wade blames himself for not saving Russell and resolves to form a team to fight Cable. Among the recruits is Domino (Zazie Beetz) a mutant who power is being super lucky, the same cannot be said for the rest of ‘’X-Force’’ as they are all killed in comically gruesome fashions (even Peter!) so it up to the two of them to fight Cable and rescue Russell.

Deadpool 2 delivers on and improves on everything that made the original so endearing – zany, foul-mouthed humour, stylish action sequences and of course Deadpool’s unique brand of fourth wall breaks. Although the constant use of the fourth wall wears out its welcome and after a while the joke gets old, we get it, you don’t like other superhero movies. Or perhaps because if you strip away the humour, all were left with is a basic plot and… wait… oh, god… Deadpool, no! HE’S CLIMBING THROUGH MY SCREEN! HE’S GOT A KNIFE! HEL-!


Sorry for the interruption, but I would like to inform all our readers that Deadpool 2 has beaten out Infinity War at the box offices!

So, just ignore what that other guy was write there, s’not important, cos as we all know he name of the game is MONEY!

So use that money to buy Deadpool comics and merchandise, I command thee, my legion of fans!